About me

Musicals have always been my favorite film genre, no matter how many hours I spent watching musicals, I didn’t get tired of it. When I watched Marisol’s films, I imagined myself like her, climbed on a table, slapping before the look of admiration of others. So much so that one day, being very small, I wanted to feel like her and neither short nor lazy I climbed on a table on the terrace of my house to sneak. That DM board table could not stand my strength and broke under my dancing feet … the shock was great, and the scratches on my skin too, but the emotion I felt playing the scene of that artist I admired so much was worth it. A short time later I was already dancing on real scenes. My mother, tireless when it came to helping her children, was the one who sewed for many years the costumes with which I danced, barely having time for her, stealing hours at dawn, at her own necessary rest. I can never compensate for all the love of my parents. I can only thank you so much effort sharing my successes, which are also yours.

I do not conceive to live without dancing, I am always learning, researching, dancing.

I started training at a young age in Andalusian folklore, and in flamenco. As an adult I discovered oriental dance, and from the first moment I knew that I wanted to merge those two dances that I had fallen in love with, but for that I had to be patient and learn a lot from both. When I felt ready, a few years later, the opportunity came to my life to investigate the Arab flamenco fusion with the help of a flamenco dance genius: Candy Román (member of the Antonio Gades Company for 30 years), that marked a before and after in my career.

In Oriental and Neoandalusí Dance I was lucky to train professionally with great teachers such as Nesma, Narjess Montaser, Munique Neith, Mercedes Nieto, Raqia Hassam, Farida Fahmi, Saida, Jillina, etc. and legendary teachers such as Mahmoud Reda, Yoursy Sharif, Momo Kadous , and Mohamed Kazafy among others. To all my teachers I am very grateful.